Answer :
Final answer:
The key events in "The Leap" by Louise Erdrich revolve around three 'leaps' made by the mother, a former trapeze artist. First, she survives a lightning strike. Second, she jumps from a burning building. Finally, she saves her daughter from a house fire. Each 'leap' has a significant impact on their lives.
Explanation:
"The Leap" is a short story by Louise Erdrich. There are several main events in the timeline of this story. First, the mother, a trapeze artist, meets her first husband during her circus performances. A terrible accident occurs when lightning strikes while they're performing, resulting in her first husband's death, but she survives due to her instinctual 'leap'.
Her second significant 'leap' occurs when she jumps out of a burning building. The final 'leap' is when she saves her daughter, the narrator, from dying in a house fire.
These three key events significantly shape the story and the characters.
Learn more about Timeline in 'The Leap' here:
https://brainly.com/question/32810482
#SPJ3
The narrative involving a protagonist with extraordinary abilities in "The Leap," performing feats that challenge perceptions of human capability and presenting a metaphor for breaking ideological boundaries.
The narrative of "The Leap" involves a series of dramatic events demonstrating the protagonist's extraordinary abilities. Despite detailed chronologies provided for different chapters, the specific events within the story are not listed chronologically here. However, from the given information, the protagonist is depicted performing feats such as scaling a 30-foot tree, climbing buildings, carrying a child, and leaping off a moving train into water. These actions contribute to the overarching theme that the leap is a metaphor for pushing beyond the boundaries of what is considered possible, both physically and ideologically. One highlighted concern in the text is "The Leap is Too Big," which suggests that there is skepticism about whether the dramatic claims are believable to the audience. This points to a central conflict in the narrative between fact and fiction, or the real versus the perceived limits of human capability.
